Especially in this time of a dangerously increasing amount of online (deep) fake-news, outrageous lies, falsified photos and misleading information that are used to – for instance – “justify” a disgusting and horrible war in Europe, it should not be tolerated that similar falsifications are being used in scientific publications by academic professionals. In the following two publications I expose and criticize some of those falsifications in rock art publications, focusing on the Majes Falsification. Updated 24 July 2022.
By Maarten van Hoek
This paper again demonstrates that in the area of the Majes Rock Art Style (Arequipa; southern Peru) many sites are firmly and ritually connected with at least one of the Sacred Mountains (the Apus) of the area. Those volcanoes play an important role in selecting spots for rock art production. La Caldera is one of those sites.
By Maarten van Hoek
Many rock art sites are easily destroyed, also in Peru, especially because of road constructions or mining activities. This paper describes three petroglyph sites near the village of Huaca Blanca in northern Peru. Especially Huaca Blanca has already been partially destroyed by unwanted quarrying. This paper offers a brief inventory of what is (was!) available during our surveys. The thumbnail to the right shows a prehistoric petroglyph next to recent damage.
By Maarten van Hoek
Very recently several petroglyphs at the rock art site of Guelta Oukas in the Anti Atlas Mountains of southern Morocco were severely damaged. However, the mutilation was limited to two panels with mainly depictions of cattle and – moreover – to specific body parts of those zoomorphic images. In this paper I argue that this is not just another case of unwanted vandalism. Instead, I propose that the mutilation at Guelta Oukas could represent an instance of ‘negative’ rock art, involving the desecration of the images.
by Maarten van Hoek
On line petition (please sign it!) to the Turkey Ministry of Forestry and Water Affairs. Discovered in 1994 by the Berlin archaeologist Dr. Anneliese Peschlow-Bindokat, these rock paintings date back to the 6th and 5th millennia B.C. They are now greatly endangered by increased stone quarrying in the area: the exploitation of feldspar is causing the drastic metamorphosis of the Latmos from a sacred mountain into a source for bathroom installations!
by APB (online petition)
The living environment of the Latmos Mountains and of its communities are threatened by the deforestation caused by feldspar quarrying. The cultural heritage looks back upon a long history, from the Neolithic period up to the Ottoman Empire. More than 170 sites of rock drawings (6th/5th millennia BC) are known, representing one of the most important discoveries in prehistoric archaeology during the past decades in Anatolia. Television documentaries, newspaper reports, symposia and demonstrations, have not succeeded in preventing the devastation of the landscape… please sign the online petition!
by Anneliese Peschlow-Bindokat
The UNESCO’s World Heritage List now registers almost a thousand properties. Only two percent of the World Heritage List comprises rock art sites. Regrettably 44 of those properties are in danger, which proves that being on the World Heritage List is not a guarantee that nothing will endanger the site. I will focus the discussion mainly on rock art sites in the deserts of western Peru.
by Maarten van Hoek – firstname.lastname@example.org
Nell’aprile del 2013 è stata danneggiata la Pera ‘dla Spina di Reano, una delle prime rocce a coppelle scoperte e pubblicate in italia, nel 1880. The Thorn Rock, one of the first cup-marked rocks ever published in Italy (1880) has been damaged in April 2013.
Cavour, pitture rupestri
Newly and hardly damaged and defaced the Rocca di Cavour rock paintings. A hand-made white writing now covers the rock-shelter painted wall. Risale al febbraio del 2009 il gravissimo danneggiamento delle pitture rupestri della Rocca di Cavou. Una scritta a smalto bianca copre infatti quasi completamente le figure dipinte.
by Orme dell’Uomo – Footsteps of Man
Foppe di Nadro 6
Rock 6 of Nadro Park heavily defaced, please sign the appeal for a better care in Valcamonica rock art protection. Sfregiate rocce a Nadro, uno dei principali parchi di arte rupestre della Valcamonica, un invito a firmare l’appello per una migliore protezione.
by Anna Maria Basché
This summer is a nightmare for the preservation of rockart in the American Southwest and West. Damages being done by a variety of mining and non-mainstream “science” groups may go unstopped without your interest and assistance immediately!
by Deb Huglin
Quebrada Santo Domingo
It seems incredible to have to mention or hear so many times “lack of funds” when it comes to saving priceless heritage. As Ulf Bertillson, President of ICOMOS Rock Art committee has said “Such events should be prevented and can be prevented”.
by Melissa MASSAT
Serra da Capivara
This is an urgent appeal. Due to a lack of funding, the Fundação Museu do Homem Americano (FUMDHAM), that takes care of the Serra Capivara National Rock Art Park, is in danger of closing. Don’t let this happen, sign the petition.
by Mila Simoes de Abreu (IFRAO – Portugal)
The impact of dams on the rock art of Portugal was, in the last fifty years, devastating. Six major areas were affected.
by Mila Simões de Abreu
Dampier rock art
Today there has been an important breakthrough in IFRAO’s campaign to save the rock art of Dampier, Western Australia…
by Robert Bednarik
The mayor of Albuquerque, without proper public notice, approved the bulldozing and paving of a controversial road through our sacred petroglyphs. The petroglyphs are one of the few remaining sacred sites.
by Wendy and Clinton Thunderchief