Archive for Methods – metodi

Valcamonica, visit the Great Rock !

NAQ1 virtual tour door

October 9, 2020: on the occasion of the European Day of Rock Art it is a real pleasure to invite enthusiasts and scholars to visit the Great Rock of Naquane in Valcamonica and to surf over it. Just find the door, open it with a click, and enter the virtual tour. The Great Rock is the most richly engraved of the Park. You can move along the wooden walkways just as if you were doing a real visit: you can closely observe the surface, discover every detail, navigate by moving like a bird’s eye, approaching and moving away at will. So, feel comfortable in your home, and start your virtual journey inside Naquane and Valcamonica rock art.

by Andrea ARCÀ Read more

Valcamonica, visita la Grande Roccia !

NAQ1, la porta del tour virtuale

In occasione del 9 ottobre, Giornata Europea dell’Arte Rupestre, è un vero piacere invitare gli appassionati e gli studiosi di arte rupestre a visitare la Grande Roccia di Naquane e a navigare lungo la sua superficie incisa. Basta trovare la porticina, aprirla con un click ed immergersi nel tour virtuale. La Grande Roccia è la più riccamente istoriata di tutto il Parco di Naquane. Puoi muoverti lungo le passerelle di legno come se tu la stessi visitando dal vivo, osservare da vicino le scene e le figure preistoriche, scoprire ogni dettaglio, navigare tra i settori incisi muovendoti a volo d’uccello, avvicinandoti e allontanandoti a volontà. E dunque, stai comodo a casa tua e inizia il tuo viaggio a Naquane, immergendoti nell’arte rupestre della Valcamonica.

di Andrea ARCÀ Read more

Naquane, Valcamonica, the Great Rock

NAQ1 deer figure

(October 9, 2020, European Day of Rock Art). With its 104 engraved rocks, the National Rock Art Park of Naquane is the main archaeological site of Valcamonica and one of the most important European rock art sites. The best-known rock is the n. 1, called the Great Rock for its size; more than two thousand figures have been engraved over its surface: deer hunting scenes, acrobatic riders, sword duels, women with hands up, wooden barns, ducks, geese and chickens, the mysterious palettes … a virtual tour allow to discover it, to enjoy the panorama, to fly over its engraved figures looking at ultra high-res pictures, tracings and 3D models (PDF available).

by Andrea ARCÀ Read more

Naquane, Valcamonica, la Grande Roccia

NAQ1, settore P

(9 ottobre 2020, Giornata Europea dell’Arte Rupestre). Con le sue 104 rocce incise, il Parco Nazionale delle Incisioni Rupestri di Naquane costituisce il principale sito archeologico della Valcamonica e uno dei più importanti complessi europei di arte rupestre. La roccia più conosciuta è la n. 1, nota anche come Grande Roccia per le sue dimensioni; sulla sua superficie sono state incise più di 2mila figure: scene di caccia al cervo, di cavalcatura acrobatica, duelli alla spada, donne a braccia levate, granai di legno, oche, papere e galline, le misteriose palette …  un tour virtuale permette di scoprirla, di godere della vista del panorama, di sorvolare le sue figure incise osservando  riprese fotografiche, rilievi iconografici e modelli 3D ad altissima risoluzione.

di Andrea ARCÀ Read more

Enfrentando los dibujos… ¡otra vez! (Perú)

With great interest I have watched the YouTube Video called: Charla Rupestre: Los Petroglifos de Chillihuay. Arequipa, Perú by Maritza Rodríguez Cerrón and Daniel Chumpitaz Llerena (21 August 2020), two leading Peruvian archaeologists who have intensively surveyed the important rock art site of Chillihuay in southern Peru. However, a couple of those drawings in their 2014-paper drew my attention, as they proved to be incorrect.

by Maarten van Hoek – rockart @home.nl Read more

Valcamonica Rock Art Fieldwork 2020

The Footsteps of Man Archaeological Cooperative Society is based in Valcamonica, an Alpine valley in Northern Italy, where rock art constitutes an archaeological, artistic, ethnographic and historical patrimony of inestimable value (UNESCO World Heritage List). In collaboration with the Catholic University of Brescia, Footsteps of Man organizes its annual Valcamonica Rock Art & Archaeology Field School in Paspardo, one of the principal area where engravings are concentrated. The project participants will learn how
to survey, clean, photograph, draw and catalogue the rock engravings at sites around Paspardo. During the field season, visits to the major rock art parks and museums in Valcamonica will be organized.

by Angelo Eugenio Fossati

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Balma dei Cervi, at the roots of our prehistory

Il territorio di Crodo ospita una delle più importanti pareti con pitture rupestri preistoriche di tutto l’arco alpino. Oltre 100 figure dipinte, di cui trenta umane maschili e femminili, schematiche, a braccia in su e in giù, quasi tutte prive di testa, forse anche con scene di parto. Numerosi gli allineamenti di pallini, spesso abbinati ai personaggi umani. One of the most important rock shelters with prehistoric paintings in the whole of the Alpine Arc is found in the territory of Crodo. Over 100 painted images have been recorded, including 30 schematic male and female human figures, some with upraised arms others facing downwards, almost all of which are without a head, including some possible representations of birth scenes..

by Andrea ARCÀ, Angelo Eugenio FOSSATI Read more

Balma dei Cervi, archaeology and research

Le pitture della Balma dei Cervi, soggette ai danni del tempo e ai rischi di degrado antropico, costituiscono un bene culturale raro, prezioso ed estremamente delicato. Le esigenze di protezione e le notevoli difficoltà di accesso ne sconsigliano la musealizzazione in loco. Il programma di documentazione, valorizzazione e comunicazione è coordinato dalla Soprintendenza Archeologia, Belle Arti e Paesaggio.. The rock paintings of the Shelter of the Deer are rare, precious an extremely delicate cultural assets. They are endangered by the deterioration of time and by the risks of damage caused by humans. Safeguard requirements and difficulties in access discourage the creation of a Museum in the field. The documentation, valorisation and communication plan is coordinated by the Superintendence of Archaeology, Fine Arts and Landscape.

by Francesco RUBAT BOREL Read more

Sobre Dibujos de Arte Rupestre (Andino)

logo-tracceThe essence of every rock art study must be the image. In most cases the image that we observe is not quite the same as manufactured and/or intended by prehistoric people. It is altered by weathering, erosion and all sorts of anthropic activities. Yet, the resulting image is the only source to use. The best thing to do is to photograph the image, but if one makes a drawing of the image, it should be as correct as possible. Yet, many rock art researchers produce and publish drawings that are not correct. Consequently, their interpretations will often be incorrect. This study discusses some examples of incorrect drawings and offers some recommendations.

by Maarten van Hoek

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Try this! Cup-marks gigapano

Ròch dij Gieugh (the Rock of the Games) 2 gigapixels spherical panorama. Get a real visit experience and surf on this cup-marked stone! Go full screen (click on the 4 arrows button on the right), move the mouse, rotate the wheel…

 

More details in this TRACCE paper: Coppelle, per Giove! (Cup-marks, by Jove!) (Italian only)


Valcamonica, fieldwork 2016

roseduel150Tracing prehistory: from July 21 to August 11 2016 the annual archaeology field school at Paspardo will be open to archaeologists, scholars, students and enthusiasts. This area gives a great opportunity to learn, survey, photograph, draw and catalogue the rock engravings. The program involves field research, documentation, tracing, guided visits and lectures. Fieldwork is organised by Footsteps of Man, Valcamonica. Infos, poster and photo-galleries here available.

by Angelo Eugenio Fossati

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AsTrend, ancient carvings enhanced

AsTrend

AsTrend

A short outline of a new low cost methodology: we present the AsTrend, a new methodology for enhance and depict details of the 3D models. This technique is being revealed as an accurate method to study rock art carvings and inscriptions. We think that this method could be used by everyone as the main study objects are based in low cost photogrammetry on the acquisition of 3D models.

by M. Carrero-Pazos, A. Vázquez-Martínez, B. Vilas-Estévez




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CAA 2016, call for papers

Call for papers

Call for papers

Call for papers: CAA 2016, section 6, Computer tools for depicting shape and detail in 3D archaeological models. Deadline for paper submission 25 October 2015. Communications, posters and audio-visual material will be accepted, especially those that deal with new computer techniques, to depict shape and detail in 3D archaeological models.

by M. Carrero-Pazos, A. Vázquez-Martínez
B. Vilas-Estévez, M. Miguel Busto-Zapico




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Rock Art in Jebel Akhdar, Oman

Bilad Sayt

Bilad Sayt

The petroglyphs and pictographs of Oman are little known, but for the last five years I have been involved in a series of surveys of the Jebel Akhdar Mountains that have resulted in the location of several important sites. Recording these in advance of construction projects undertaken to modernize the country’s transportation network has enabled me to study the rock art in considerable detail for the first time. Using superimpositions, cross-dating with known artistic expressions elsewhere in the region, and the known dates for introduction of various objects of material culture, I propose a preliminary chronology consisting of four major phases spanning the last 6,000 years.

by Angelo Eugenio Fossati
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TRACCE Online Rock Art Bulletin 35 – Mar 2015

TRACE35logo# 35 – Mar 2015 (abstracts of the CAA2015 rock art session)

TRACCE Online Rock Art Bulletin 35

––––––––––––––––––> by Footsteps of Man
edited by Le Orme dell’Uomo (Valcamonica – I)

35: 1 2 3 4 5 6 7 8 9 10 11

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Chile, Photographic recording and digital enhancement

cerillo_cuenca1_150

Tracing

[CAA 2015 – session 3C abstract]

The digital recording of rock art has benefited of an increasing number of software solutions, mostly photogrammetry and the enhancement of pigments from photographs. During the last years we have utilized open source scientific libraries for enhance pigments in a currently under development software code named PyDRA…

by Enrique CERRILLO-CUENCA, Marcela SEPÚLVEDA




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Biological activity tracking on cave art sites

UVF-MAP_Pakhunov150

UVF

[CAA 2015 – session 3C abstract]

Micro-organisms populating caves produce organic acids that damage and dissolve a calcite substratum. This might have been the primary cause of degradation of numerous Palaeolithic paintings in many caves…

by Alexander PAKHUNOV






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Northern Scandinavia rock paintings: NIR analysis

1109_1_150

NIR analysis

[CAA 2015 – session 3C abstract]

Field based Near Infrared analysis of Rock paintings in northern Scandinavia. Seven different sites have been investigated and generated large amounts of multivariate data requiring multivariate data analysis…

by Johan LINDERHOLM, Paul GELADI, Claudia SCIUTO




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