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Le rupi scolpite delle Alpi Marittime (Issel 1901)

issel1901foto150

Fontanalba picture

TRACCE free e-books


Issel A. 1901. Le rupi scolpite nelle alte valli delle Alpi Marittime, Bullettino di paletnologia italiana, s. III, t. VII, a. XXVII, n. 10-12, pp. 218-259.
| full text-image flip book and PDF (from TRACCE scan-OCR, public domain) | Italian

[editor's note: the most detailed paper until that time on Mt. Bego’s engravings; Issel never recorded the engraved rocks, but attentively examined the literature and was in close and friendly contact with C. Bicknell]

by Arturo ISSEL

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Entre Mont Bego et Val Camonica

meravigliemago

Merveilles, le Sorcier

TRACCE open access papers

Arcà Andrea, 2011.
Entre Bego et Val Camonica: une clé pour mieux comprendre l’origine de l’art rupestre dans les Alpes, in BEPAA XXII, pp. 71-89.
| full text-image inline PDF | French

La comparaison entre ces deux sites est cruciale pour l’encadrement global de l’art rupestre alpin.

by Andrea Arcà

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Piero Barocelli, a rupestrian archeology pioneer

Piero Barocelli, archaeologist

Piero Barocelli’s work on Mt. Bego Petroglpyphs plays a highly original and markedly pioneering role for the Alpine and European rupestrian archaeology. Full text-image inline PDF available (TRACCE open access papers).

Gli studi di Piero Barocelli sui petroglifi del Monte Bego assumono per l’archeologia rupestre alpina ed europea una posizione fortemente originale e di marcato pionierismo. Disponibile la versione PDF integrale.

by Andrea Arcà

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Gavrinis, une approche multiscalaire

Gavrinis art

A multiscale approach: the workflow committed on the Gavrinis island cairn gathers archaeologists and archaeometrists, architects and surveyors, to acquire, handle and share information relative to a passage-tomb built at the beginning of the IVth millennium, one of the most famous of the European monumental heritage.

by S. Cassen, L. Lescop, V. Grimaud, G. Querré, B. Sune

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How do we recognise rock art?

Aboriginal engraving

This paper was stimulated by an on-line discussion with Andrea Arcà (Case example 4: figurative and non-figurative below) about a need for archaeologists to treat figurative and non-figurative rock art differently.

by John Clegg

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Dating and (up)dating Valcamonica rock art

Valcamonica chronology

Since the beginning the achievement of a correct chronological attribution has represented an important point of any rock art research. But since the beginning any chronological attribution has been subjected to the risk of being questioned, not accepted or simply updated. So rock art dating is often controversial…

by Andrea Arcà

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Grotte Chauvet Archaeologically Dated

Chauvet cave

TRACCE no. 12 – by Christian Züchner


The Grotte Chauvet was discovered at Christmas 1994. A beautiful picture book came out only a few months later (Chauvet et al. 1995). It has been the main source of our knowledge and discussion up to now.

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Rock Art in Russian Far East and in Siberia

Elangash

TRACCE no. 11 – by † Burchard Brentjes


Rock Art in Russian Far East and in Siberia. A bird’s eye view over a continent.
There are about half a million of petroglyphs known in Siberia and the Far East of Russia. Mobody knows up to now how many are still to be discovered

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The motif of the “Camunian Rose”

Camunian rose

TRACCE no. 10 – by Paola Farina


The motif of the “Camunian Rose” in the rock art of Valcamonica (Italy) part **.
In the past the scholars proposed some hypotheses about the meaning of the “Camunian rose”, engraved on several rocks in Valcamonica…
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Orientalizing motives in alpine rock art

Pazyryk horse

TRACCE no. 10 – by † Burchard Brentjes


Orientalizing motives in alpine rock art.
The rich ensemble of rock art in the Valle Camonica comprises several motives for which oriental parallels could be mentioned.
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Vermelhosa rock 1, palaeolithic figures

Elephant figure

TRACCE no. 5 – by Andrea Arcà


Palaeolithic figures in rock n. 1 of the Vermelhosa – Côa Valley area.
Rock n. 1 of the Vermelhosa Valley (Côa Valley area) lies at 180 m altitude, on the left orographic side of the Douro River, which is flowing few scores of meters below.. Read more

Vermelhosa Iron Age rock art

Duelling Iron Age scene

TRACCE no. 5 – by Angelo Fossati


The Iron Age in the Rock Art of Vermelhosa, Portugal.
Besides the figures attributable to the Palaeolithic times there are also petroglyphs that can be dated to the Iron Age (1st Millennium BC). These figures are engraved scratching the rock surface, sometimes with a stone, other times with a metal tool, as it is possible to note from the outlining. Read more

Le rupi scolpite delle Alpi Marittime (Issel 1901)

issel1901foto150

Fontanalba picture

TRACCE free e-books


Issel A. 1901. Le rupi scolpite nelle alte valli delle Alpi Marittime, Bullettino di paletnologia italiana, s. III, t. VII, a. XXVII, n. 10-12, pp. 218-259.
| full text-image flip book and PDF (from TRACCE scan-OCR, public domain) | Italian

[editor's note: the most detailed paper until that time on Mt. Bego’s engravings; Issel never recorded the engraved rocks, but attentively examined the literature and was in close and friendly contact with C. Bicknell]

by Arturo ISSEL

Read more

TRACCE Online Rock Art Bulletin 28 – Jan 2013

Piero Barocelli

TRACCE 28


# 28
– Jan
2013

TRACCE Online Rock Art Bulletin 28

––––––––––––––––––> by Footsteps of Man
edited by Le Orme dell’Uomo (Valcamonica – I)

28: 1 2 3 4 5 6 7 8

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Valcamonica, 2013 Rock Art Fieldwork & Field School

rosril2

Tracing prehistory

Again in 2013, from July 18 to August 8, Footsteps of Man organizes its annual archaeology field school at Paspardo. This area gives a great opportunity to archaeologists, scholars, students and enthusiasts. The project participants will learn to survey, clean, photograph, draw and catalogue the rock engravings. The program involves field research, documentation, tracing, guided visits and lectures. Infos, poster and photo-galleries here available.

 

by Angelo Eugenio Fossati

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Megalitismo in Val Ceresio

pir_ceresio150Gli Autori descrivono i reperti megalitici, il loro orientamento con le possibili correlazioni archeoastronomiche che potrebbero indicare una frequentazione pre e/o protostorica dei luoghi descritti. Segue un’analisi delle possibili prospettive di ricerca.

by A. Pirondini, G.P. Bocca, F. Pirondini* e C. Pirondini*




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Rupestreweb, 17 new papers online

rupweb_top_square

Rupestreweb

January 2013, seventeen new papers on Rupestreweb, the best online Mid and South-America rock art review; a rich overlook about: Argentina, Bolivia, Brasil, Chile, Cuba, México, Perú, República Dominicana. Petroglyphs, rock paintings, research, archaeology… want you claim more?
Rupestreweb, Arte rupestre en América Latina.

by Rupestreweb

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L’età del Rame – The Copper Age

eta_rame_logo_quadL’età del Rame, la pianura padana e le Alpi al tempo di Ötzi. Mostra al Museo Diocesano di Brescia (via Gasparo da Salò 13, Brescia – I) dal 26 gennaio al 15 maggio 2013. The Copper Age, the Po plain and the Alps during the Ötzi time. Exhibition at the Museo Diocesano of Brescia, from Jan 26 to May 15 2013.
Presentazione e fotogalleria sui massi incisi dell’età del Rame – Copper Age engraved boulders photo-gallery available.

by Copper Age

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Entre Mont Bego et Val Camonica

meravigliemago

Merveilles, le Sorcier

TRACCE open access papers

Arcà Andrea, 2011.
Entre Bego et Val Camonica: une clé pour mieux comprendre l’origine de l’art rupestre dans les Alpes, in BEPAA XXII, pp. 71-89.
| full text-image inline PDF | French

La comparaison entre ces deux sites est cruciale pour l’encadrement global de l’art rupestre alpin.

by Andrea Arcà

Read more

Oukaimeden, a Moroccan rock art site

ouka_head

Oukaimeden engraving

Here some slides and draft notes of a lecture I delivered in 2010, after visiting Oukaimeden in April 2007. I’m pleased to share pictures, but also some ideas: comments are welcome. Oukaimeden is a very important petroglyphic complex, showing Copper or Ancient Bronze  Age (III-beginnings of II mill. BC) engraved weapons, and also  interesting points of contact with similar European petroglpyhs, from the Iberian peninsula to the Alpine arc, Mt. Bego particularly. Last but not least, it is also a beautiful natural site...

by Andrea Arcà (Footsteps of Man – IIPP)

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Croci cristiane rupestri

07croci_enrigallo150

Andrate

A chi frequenta la montagna, capita spesso lungo i suoi sentieri di incontrare il “segno” della croce, sia nelle baite che inciso direttamente sulle rocce rocce nei pressi degli abitati. Sovente le croci sono di tipo semplice, ma talvolta si presentano più complesse o corredate da date e lettere. E’ una tradizione incisoria che mostra una vasta estensione geografica e radici assai profonde nel tempo, probabile retaggio di una consuetudine ancora viva ai tempi della Cristianizzazione delle regioni alpine.

by Enrico Gallo

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TRACCE 2012 top 100

traccestats201235 815 pageviews on TRACCE papers on 2012, from March 20 (TRACCE 3rd “refurbishment”) to December 31: 117 papers read each day. Detailed classification index available.

Sono 35.815 le pagine lette nel 2012, dal 20 marzo, data del 3° restyling di TRACCE, fino al 31 Decembre. 117 articoli letti ogni giorno. E’ disponibile la  classifica delle prime 100 posizioni.

by editor

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TRACCE Online Rock Art Bulletin 27 – Dec 2012

Piero Barocelli

TRACCE 27


# 27
– Dec
2012

TRACCE Online Rock Art Bulletin 27

––––––––––––––––––> by Footsteps of Man
edited by Le Orme dell’Uomo (Valcamonica – I)

27: 1 2 3

Read more

Piero Barocelli, a rupestrian archeology pioneer

Piero Barocelli, archaeologist

Piero Barocelli’s work on Mt. Bego Petroglpyphs plays a highly original and markedly pioneering role for the Alpine and European rupestrian archaeology. Full text-image inline PDF available (TRACCE open access papers).

Gli studi di Piero Barocelli sui petroglifi del Monte Bego assumono per l’archeologia rupestre alpina ed europea una posizione fortemente originale e di marcato pionierismo. Disponibile la versione PDF integrale.

by Andrea Arcà

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Megalitismo e nuove ipotesi di ricerca

Viene descritto l’antico sito estrattivo, la sua ubicazione, l’orientamento, il rapporto con attigue strutture di interesse archeologico ed archeoastronomico che potrebbero essere correlate ad una frequentazione del luogo in età pre- e/o protostorica e le conseguenti nuove prospettive di studio.

by Alfredo Pirondini, Gian Paolo Bocca

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Looking at Ubaye petroglyphs with a candid eye

Ubaye rupestre symbol

Ubaye historic petroglyphs are under survey and study; they may unveil many data about traditional mountain shepherd life, culture and skills. It’s a poorly known and fragile heritage, which must be properly protected and appreciated.

by JF LETAVERNIER – Ubaye Rupestre

 

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TRACCE Online Rock Art Bulletin 26 – Jul 2012

cropped-PIV4orante1.jpg

TRACCE 26


# 26
– Jul
2012

TRACCE Online Rock Art Bulletin 26

––––––––––––––––––> by Footsteps of Man
edited by Le Orme dell’Uomo (Valcamonica – I)

26: 1 2 3 4 5 6 7

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Topografiche: culture e colture, potere e poderi…

Fontanalba (Mt. Bego)

Topographic engravings: cultivations and cultures, power and holdings: the topographic engravings must be registered in the history of the topography as the oldest zenithal representations of the western and middle-eastern world. Regarding the agriculture history they testify the development of the cultivation techniques, from the hoe to the plough… Abstract of the communication presented at the International Conference Stone Maps, June 2012, Capo di Ponte (Valcamonica – I)

by A. Arcà

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Alle origini dell’arte

The IIPP logo

Alle origini dell’arte è un filmato-documentario realizzato dall’Istituto Italiano di Preistoria e Protostoria con la preziosa collaborazione della Soprintendenza per i Beni Archeologici della Toscana per illustrare l’attualità dell’arte preistorica attraverso il patrimonio della biblioteca. Interventi di Maria Bernabò Brea, di Raffaele De Marinis e di Carlo Sisi.

At the origins of the art is a documentary realised by the IIPP – Italian Institute of Prehistory and Protohistory in co-operation with the Tuscany archaeological Superintendence. The goal is to illustrate the actuality of the prehistoric art through the heritage of the institute library.

by IIPP – Istituto Italiano di Preistoria e Protostoria, Firenze

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Archaeology in Finalese Area (Western Liguria)

Ciappu de Cunche

A large number of archaeological sites and artifacts dating back to prehistoric times in Finale Ligure area (Western Liguria), are due to the appearance of the first manifestations of human religiosity. The Author, in light of these finds, explores the primitive roots of the religious phenomenon.

by Alfredo Pirondini

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