Tag Archive for arte rupestre

Un Sitio Rupestre Poco Conocido en Chicama, Perú

En el Valle de Chicama en el norte de Perú hay muchos sitios de arte rupestre. Más de 20 sitios han sido reportados en esta cuenca (Castillo Benites 2006). Sin embargo, hay sólo unos pocos sitios que tienen un gran número de paneles con petroglifos. La mayoría de los otros sitios de la cuenca de Chicama tienen sólo uno o algunos paneles de petroglifos y la mayoría de ellos son poco conocidos. Este artículo se trata de un sitio poco conocido en Chicama.

By Maarten van Hoek

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Aiapaec in Andean Rock Art ?

Aiapaec probably was the supreme divinity of the Mochica pantheon, an ancient civilisation that emerged in the coastal strip of northern Peru. There are numerous often much differing depictions of full zoo-anthropomorphic figures and – especially – of isolated heads in the Huaca de la Luna near Trujillo that are said to represent Aiapaec. In view of the importance of Aiapaec in this part of Peru it is extraordinary that there are no unambiguous depictions of undeniable Moche origin of this personage in Andean rock art. This paper discusses that problem and describes seven petroglyphs that might symbolise Aiapaec.

By Maarten van Hoek

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PERSONAJES DE RANGO Y EMBLEMAS DE PODER – PERÚ

El autor – Rainer Hostnig, con residencia en Cusco, Perú – realiza una síntesis comparativa de representaciones del sitio rupestre recientemente registrado de Ñawpakachi (y los demás yacimientos rupestres en el Valle Sagrado, Perú) con figuras grandes de personajes de la élite inca o sus abstracciones en forma de escudos o unkus.

The author – Rainer Hostnig, who resides in Cusco, Peru – performs a comparative synthesis of representations of the recently recorded rock art site of Ñawpakachi (and other sites in the Sacred Valley, Peru) featuring large figures of Inca dignitaries or their abstractions in the form of shields or ‘unkus’.

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Actualización del arte rupestre en la cuenca del río Virú

The paper by Daniel Castillo Benites from Peru and María Susana Barrau from Argentina (2016) offers an excellent overview regarding the rock art of the Virú drainage in northern Peru. Yet there are some flaws.

El trabajo de Daniel Castillo Benites (de Perú) y María Susana Barrau (de Argentina) (2016) ofrece una excelente visión general del arte rupestre en la cuenca del río Virú en el norte del Perú. Sin embargo, hay algunas fallas.

By Maarten van Hoek

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Up-Dating the Rock Art of Quebrada del Felino, Peru

Este trabajo investiga el arte rupestre en el Valle de Jequetepeque en el norte de Perú. Se centra en el sitio de Quebrada del Felino. El artículo actualiza la información que se publicó anteriormente y se centra en establecer la fecha de varias imágenes en el Quebrada del Felino.

This paper focuses on the rock art site of Quebrada del Felino in the Valley of the Jequetepeque in northern Peru. The paper updates the information that was published earlier and focuses on the dating issue of some images at Quebrada del Felino.

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Petroglifos en Yarabamba, Perú: ¿Aplacandos los Apus?

El tema principal de este artículo es la relación entre ciertos petroglifos en el Valle de Yarabamba, sur de Perú, y el volcán El Misti. Para explicar esta relación se discutirán dos tipos de petroglifos en el sitio de Alto de San Antonio en el Valle de Yarabamba.

The main subject of this article is the relationship between certain petroglyphs in the Yarabamba Valley, southern Peru, and the volcano Misti. In order to explain this relationship I will discuss two types of images that are found at the rock art site of Alto de San Antonio in the Yarabamba Valley.

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Petroglifos Únicos en Ariquilda, Chile

Este artículo investiga cuatro iconos raros del sitio de arte rupestre de Ariquilda en el desierto de Atacama en el norte de Chile. Se trata de un grupo de figuras antropomórficas que muestran una actitud muy específica y tres otros motivos muy enigmáticos. He nombrado estos cuatro motivos: ‘Los Hombres Torcidos’, ‘Los Cueros’ y ‘Las Gafas junto con Las Figuras Triangulares’. De nuevo estos iconos confirman el estatus especial de Ariquilda en el arte rupestre andino (véanse también ‘The Avian Staff Bearer’ y ‘Icons That Travel’, ambos publicados en TRACCE).

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Los Petroglifos de Tintín, Sihuas, Arequipa, Perú

logo-oranjeTintín es un sitio pequeño de arte rupestre en el valle del Río Sihuas en el sur de Perú. El sitio, también conocido como Cerro Blanco y Pisanay tiene algunas rocas con petroglifos. La Roca Principal es bastante grande y tiene un gran cantidad de imágenes. Un video muestra los petroglifos en detalle.

Tintín is a small rock site in the Sihuas River valley in southern Peru. The site, also known as Cerro Blanco and Pisanay has some rocks with petroglyphs. The Main Rock is quite large and has a lot of images. A video shows those petroglyphs in detail.

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The Petroglyphs of Chumbenique, Zaña, Peru

logo This short paper, together with a YouTube video, describes and illustrates the rock art discovered in the valley of the Río Zaña in northern Peru. The petroglyphs were first described (in Spanish) by archaeologist Edgar Bracamonte in 2014. Because that is the only brief report that exists at the moment, I have written a brief paper in English, while the video (which is in Spanish) offers the illustrations as well as shots of the environment. The locals at Chumbenique know about ‘their’ rock art and I hope that they will encourage locals of their village and of the valley and of course every visitor to Chumbenique to respect and protect this sacred site.

By Maarten van Hoek

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Los Bordes Aserrados de las Rocas de Chuquillanqui, Perú

figure-0-logo-1A menudo un sitio de arte rupestre tiene una característica muy específica que además es a menudo único en ese sitio. Este artículo presenta un elemento tan distintivo en el sitio rupestre de Chuquillanqui en la cuenca del Río Chicama en el norte de Perú.

Often a rock art site has a very specific feature that moreover is often unique to that site. This paper presents such a distinguishing element at the petroglyph site of Chuquillanqui in the Chicama drainage of northern Peru.

by Maarten van Hoek

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Kuntur Wasi, Peru: Architectural Art or Rock Art ?

fig-logo-2Often we find pecked or scratched images on walls of rocks that are part of ancient structures, ranging from simple circular huts to intricate temple complexes. In many cases the rocks that are used have been smoothened before (or after) they were incorporated. In most instances it is clear that those images have been added after the smoothening and after the incorporation of the stones into the structure. Some of them may definitely be regarded as true rock art and not as architectural art, but a few images are ambiguous in this respect. This short paper discusses one such controversial image on a menacing monolith at Kuntur Wasi in northern Peru.

By Maarten van Hoek

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The Frontal Insignia-Tumi

arg-def-defThe Desert Andes (the westernmost coastal strip of South America) is very rich in rock art sites. In rare cases specific images occur at selected sites, often separated by long streches of the desert. Two telling examples are the Avian Staff Bearer and the The Enigmatic Traveller (both published in TRACCE). This study examines another “travelling” icon: The Frontal Insignia-Tumi that is found from Tamentica in the south to – surprisingly – Toro Muerto in the north of the Study Area, a distance of no less than 630 km (as the crow flies).

By Maarten van Hoek

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Sobre Dibujos de Arte Rupestre (Andino)

logo-tracceThe essence of every rock art study must be the image. In most cases the image that we observe is not quite the same as manufactured and/or intended by prehistoric people. It is altered by weathering, erosion and all sorts of anthropic activities. Yet, the resulting image is the only source to use. The best thing to do is to photograph the image, but if one makes a drawing of the image, it should be as correct as possible. Yet, many rock art researchers produce and publish drawings that are not correct. Consequently, their interpretations will often be incorrect. This study discusses some examples of incorrect drawings and offers some recommendations.

by Maarten van Hoek

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The Avian Staff Bearer

Ariquilda-1

Ariquilda-1

This paper investigates a well-known but rare icon from the rock art of the Atacama Desert. It concerns a group of anthropomorphic figures displaying a very specific bird-related element. For that reason Juan Chacama and Gustavo Espinosa speak of ‘hombres-falcónidas’, ‘raptor-men’, to describe this class of anthropomorphic figures. Remarkably, their interpretation seems to be generally ignored by several archaeologists and rock art investigators. This study presents a revaluation of the theory put forward by Juan Chacama and Gustavo Espinosa in 1997.

By Maarten van Hoek

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15 years of Rupestreweb, 12 new papers online

rupestreweb2015_150

Rupestreweb

 

January-April 2015, twelve new papers on Rupestreweb, for its 15 years of web-presence; a rich overlook about: Bolivia, Brasil, Colombia, Cuba, México, Nicaragua Perú, República Dominicana.  Piedras sagradas, conservação, narraciones orales, murales policromos,  piedras pintadas, geoglyphs and so on…
Rupestreweb, Arte rupestre en América Latina.

by Rupestreweb


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Saint Vincent, nuove incisioni rupestri preistoriche

stamb150

Ibex – stambecco

New important prehistoric rock carvings have been found by Eusebio Imperial of the S.Va.PA.– Société Valdôtaine de Préhistoire et d’Archéologie. Among them ibexes and fringed figures. Here a preliminary report by A.E. Fossati. Relazione di A.E. Fossati sulle nuove importanti incisioni rupestri preistoriche con stambecchi e figure frangiate scoperte in Valle d’Aosta.

by A. E. Fossati

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Chiza, Interpreting Digitally Restored Petroglyphs

Chiza petroglyph

Chiza Petroglyphs

The goal of this paper is to offer the interested reader a digital restoration and interpretation of the images of a vandalized petroglyph boulder located in the Atacama Desert, northern Chile. Its damaged face underscores the urgent necessity to ([photo])graphic record rock art sites in general. It is hoped that very soon a complete survey will be made of the Chiza petroglyph site and that the official survey will be made available to rock art researchers.

by Maarten van Hoek

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The Motocachy Pampa Disaster, Peru

Figure 011a

Motocachy Pampa


The UNESCO’s World Heritage List now registers almost a thousand properties. Only two percent of the World Heritage List comprises rock art sites. Regrettably 44 of those properties are in danger, which proves that being on the World Heritage List is not a guarantee that nothing will endanger the site. I will focus the discussion mainly on rock art sites in the deserts of western Peru.

by Maarten van Hoek – rockart@home.nl



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