Tag Archive for Iron Age

Usseglio, Alpine cults, archaeology and rock art

Ròch dij Gieugh

Ròch dij Gieugh

[Usseglio: culti in ambiente alpino, archeologia e arte rupestre]. A new exhibition room dedicated to the cults of the Alps has recently enriched the Civic Alpine Museum Arnaldo Tazzetti of Usseglio. A part of the room is devoted to the monumental Ròch dij Gieugh, an engraved stone situated on the slopes of the Usseglio mountains. The interest in this rock is given by the great number of shoeprints connected to a complex network of cup-marks and grooves. New important discoveries emerged during the recent tracing: three figures of Iron Age warriors and a possible votive inscription to Juppiter, the first found in the Alps on a cup-marked rock [ENG-ITA].

by Andrea ARCÀ and Angelo Eugenio FOSSATI Read more

Seradina 12, Valcamonica, 83 years of research

Seradina R12 deer

Seradina R12 deer

Covering more than 200 square metres, Rock 12 is the largest engraved rock of the Seradina area; it is included in the Seradina-Bedolina Archaeological Municipal Park. Its beautiful and richly engraved surface has been known since the first discovery of the greatest part of the Valcamonica rock art (1932). In the 1980s the rock was traced and studied under the direction of Mila Simões de Abreu, during which time the tracing was completed. Seradina 12 hosts some very rare iconographic items; among them, we can notice six Iron Age horse-driven ploughing scenes. Two of them are accompanied by sexual scenes, the action meaningfully performed while the ground is being hoed.

by M.Simões de ABREU and A.E. FOSSATI

Read more

Footprints in the Alps – pediformi nelle Alpi

Pisselerand

Pisselerand

Footprints in the Alpine rock art: diffusion, chronology and interpretation. Abstract and slides of the communication presented on Tuesday 1 September 2015 at the IFRAO 2015 – XIX International Rock Art Conference (Cáceres, Spain). The communication provides a detailed description of the most important cases of alpine rocks bearing footprints, a chronological frame for the corresponding engraving phases, and a discussion about suggested interpretations.
Le impronte di piede nell’arte rupestre Alpina: diffusione, cronologia e interpretazione (abstract in Italiano)

by Andrea Arcà

Read more

Valcamonica, Rock Art Fieldwork 2015

Tracing prehistory

Tracing prehistory

Tracing prehistory: from July 16 to August 6 2015 the annual archaeology field school at Paspardo will be open to archaeologists, scholars, students and enthusiasts. This area gives a great opportunity to learn, survey, photograph, draw and catalogue the rock engravings. The program involves field research, documentation, tracing, guided visits and lectures. Fieldwork is organised by Footsteps of Man, Valcamonica. Infos, poster and photo-galleries here available.

by Angelo Eugenio Fossati

Read more

Valcamonica, 2013 Rock Art Fieldwork & Field School

rosril2

Tracing prehistory

Again in 2013, from July 18 to August 8, Footsteps of Man organizes its annual archaeology field school at Paspardo. This area gives a great opportunity to archaeologists, scholars, students and enthusiasts. The project participants will learn to survey, clean, photograph, draw and catalogue the rock engravings. The program involves field research, documentation, tracing, guided visits and lectures. Infos, poster and photo-galleries here available.

 

by Angelo Eugenio Fossati

Read more

Valcamonica, 2012 Rock Art Fieldwork & Field School

Tracing Valcamonica rock art

Again in 2012 Footsteps of Man organizes its annual archaeology field school at Paspardo. This area gives a great opportunity to archaeologists, scholars, students and enthusiasts. The project participants will learn to survey, clean, photograph, draw and catalogue the rock engravings. (2013 fieldwork Jul 18-Aug 8)

 

by Angelo Eugenio Fossati

Read more

Dating and (up)dating Valcamonica rock art

Valcamonica chronology

Since the beginning the achievement of a correct chronological attribution has represented an important point of any rock art research. But since the beginning any chronological attribution has been subjected to the risk of being questioned, not accepted or simply updated. So rock art dating is often controversial…

by Andrea Arcà

Read more