03/26/2013
Rock Art Studies Bibliographic Database updated.
After twenty years, the database contains over 27,000 citations.
by Leigh Marymor
Read more
03/26/2013
Rock Art Studies Bibliographic Database updated.
After twenty years, the database contains over 27,000 citations.
by Leigh Marymor
Read more
TRACCE free e-books
Gioffredo P., 1839 [~1660]. Storia delle Alpi Marittime, corografia, libro I, in Storia delle Alpi Marittime di Pietro Gioffredo libri XXVI, Torino, capo XIII
| full text-image flip book and PDF (from Google Books, public domain) | Italian
[editor's note: the first written news of the Laghi delle Meraviglie (Marvels Lakes) – Mt. Bego – engraved rocks, printed edition (1839) of a manuscript compiled around 1660, based on a late 16th century relation]
by Pietro GIOFFREDO
TRACCE free e-books
Foderé F. E., 1821. Voyage aux Alpes Maritimes, ou histoire naturelle, agraire, civile et médicale, du comté de Nice et pays limitrophes, Paris, pp. 18-19
| full text-image flip book and PDF (from Google Books, public domain) | French
[editor's note: in this book it is possible to read the first few lines in French, regarding Mt. Bego’s rock carvings. Dans ce livre on peut lire la première mention imprimée en Français sur les gravures rupestres du Mont Bego]
by François-Emmanuel Foderé
TRACCE free e-books
Moggridge M. 1869. The Meraviglie, in International Congress of prehistoric Archaeology, transactions of the Third Session, London, 359-362, 5 plates.
| full text-image flip book and PDF (from Google Books, public domain) | English
[editor's note: this paper marking the scientific discovery of Mt. Bego’s petroglyphic complex – one of the two Alpine rock art poles – is due to an English botanist, member of the Italian Alpine Club]
by Matthew MOGGRIDGE, F.G.S. (Fellow of the Geological Society of London)
TRACCE free e-books
Rivière E., 1879. Gravures sur roches des lacs des Merveilles au val d’Enfer (Italie), in Association française pour l’avancement des sciences, Paris, pp. 783-793, I tav.
| full text-image flip book and PDF (from Gallica – BnF,, public domain) | French
[editor's note: this paper better details the French scientific discovery of Mt. Bego’s petroglyphic complex and it is due to the physician and archaeologist Émile Rivière, devoted to the study of the Palaeolithic]
by Émile RIVIÈRE
Again in 2013, from July 18 to August 8, Footsteps of Man organizes its annual archaeology field school at Paspardo. This area gives a great opportunity to archaeologists, scholars, students and enthusiasts. The project participants will learn to survey, clean, photograph, draw and catalogue the rock engravings. The program involves field research, documentation, tracing, guided visits and lectures. Infos, poster and photo-galleries here available.
by Angelo Eugenio Fossati
Arcà Andrea, 2011.
Entre Bego et Val Camonica: une clé pour mieux comprendre l’origine de l’art rupestre dans les Alpes, in BEPAA XXII, pp. 71-89.
| full text-image inline PDF | French
La comparaison entre ces deux sites est cruciale pour l’encadrement global de l’art rupestre alpin.
by Andrea Arcà
Here some slides and draft notes of a lecture I delivered in 2010, after visiting Oukaimeden in April 2007. I’m pleased to share pictures, but also some ideas: comments are welcome. Oukaimeden is a very important petroglyphic complex, showing Copper or Ancient Bronze Age (III-beginnings of II mill. BC) engraved weapons, and also interesting points of contact with similar European petroglpyhs, from the Iberian peninsula to the Alpine arc, Mt. Bego particularly. Last but not least, it is also a beautiful natural site...
by Andrea Arcà (Footsteps of Man – IIPP)
Valcamonica and Valtellina, news from the research field. April 28 2012, Capo di Ponte, Valcamonica: presentation of the Volume XXII of the Bullettin d’études préhistoriques et archéologiques Alpines.
by Angelo E. FOSSATI
Again in 2012 Footsteps of Man organizes its annual archaeology field school at Paspardo. This area gives a great opportunity to archaeologists, scholars, students and enthusiasts. The project participants will learn to survey, clean, photograph, draw and catalogue the rock engravings. (2013 fieldwork Jul 18-Aug 8)
by Angelo Eugenio Fossati
A multiscale approach: the workflow committed on the Gavrinis island cairn gathers archaeologists and archaeometrists, architects and surveyors, to acquire, handle and share information relative to a passage-tomb built at the beginning of the IVth millennium, one of the most famous of the European monumental heritage.
by S. Cassen, L. Lescop, V. Grimaud, G. Querré, B. Sune
Researches on the sites: surveys for finding new engraved rocks, analysis of the damages of the rock surfaces and conservation problem, drawing of the engravings with permanent pens on plastic sheet, photographs ….
by Footsteps of Man
44 escursioni alle più importanti aree incise delle Alpi. Tutti i settori sono rappresentati: dalle Alpi francesi (Bego, Ubaye e Moriana) e italiane (Alpi Occidentali, Valtellina, Valcamonica, Asiago), a quelle svizzere (Vallese e Grigioni) e austriache (Spittal, Golling, Schneid Joch). Un piccolo manuale di archeologia rupestre, che riassume anni di studio e di ricerca. The most complete guide to the Alpine Rock Art
by Andrea Arcà e Angelo Fossati
This is an urgent appeal. Due to a lack of funding, the Fundação Museu do Homem Americano (FUMDHAM), that takes care of the Serra Capivara National Rock Art Park, is in danger of closing. Don’t let this happen, sign the petition.
by Mila Simoes de Abreu (IFRAO – Portugal)
This paper was stimulated by an on-line discussion with Andrea Arcà (Case example 4: figurative and non-figurative below) about a need for archaeologists to treat figurative and non-figurative rock art differently.
by John Clegg
Since the beginning the achievement of a correct chronological attribution has represented an important point of any rock art research. But since the beginning any chronological attribution has been subjected to the risk of being questioned, not accepted or simply updated. So rock art dating is often controversial…
by Andrea Arcà
The impact of dams on the rock art of Portugal was, in the last fifty years, devastating. Six major areas were affected.
by Mila Simões de Abreu