Book cover - copertina
Il volume ospita gli atti del convegno interdisciplinare tenutosi a Paspardo (BS – I) dal 6 all’8 ottobre 2006, dal titolo La castagna della Vallecamonica, dalla valorizzazione delle colture allo sviluppo della cultura.
by Angelo E. Fossati
Spada sulla Roccia, cover
Archaeological and ethnographic book focussed on the relation between rock art and sword traditional dances of the Susa and Cenischia valleys (Italy, TO).
31 pagine da sfogliare in anteprima online. Altre pagine di esempio sono disponibili in PDF. You can browse 31 pages of web preview and many PDF samples.
by Andrea ARCÀ
Rocca di Perti
Viene descritto il sito, il suo orientamento ed i reperti (graffiti rupestri, pozze per la raccolta di acqua), nonché formazioni geologiche viciniori di interesse per eventuali rapporti con il sito stesso. Segue una breve analisi sulla possibile utilizzazione e datazione dei reperti in loco.
by Alfredo Pirondini
Puig Castellar
A set of engravings are located on a rock in the highest part of the chain of mountains named Serrat de la Torrassa o Torratxa, in the village of Santa Coloma de Cervelló, Barcelona, Catalonia. The paper describes this engravings and compare them with similar engravings in Catalonia. By their type we think they can be dated in the Calcholitic or Bronze periods.
by F. Anguas, A. Fàbrega, J.M. Huélamo, J.M. Solias
Ain al-Abd
Dear Colleagues, The preliminary report of Campaign 2004 at the archaeological and rock-art sites of the Hemma Plateau (Hassake, Syria) is now on-line. Archéologie et art rupestre à Khishâm (Hassake, Syrie). Vous trouverez le rapport préliminaire de la Campagne 2004 sur le site web du Centre de Recherche “Espaces et Sociétés – approches comparatives” (ULB).
by Paul Van Berg
Foppe di Nadro 6
Rock 6 of Nadro Park heavily defaced, please sign the appeal for a better care in Valcamonica rock art protection. Sfregiate rocce a Nadro, uno dei principali parchi di arte rupestre della Valcamonica, un invito a firmare l’appello per una migliore protezione.
by Anna Maria Basché
Iron age duel
Iron Age figures represent 80% of Valcamonica rock art, hundreds of thousands of figures finely pecked on richest european archives of open-air rock art. Here only a little excerpt of warriors and duels.
Photo-gallery.
by Andrea Arcà
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This summer is a nightmare for the preservation of rockart in the American Southwest and West. Damages being done by a variety of mining and non-mainstream “science” groups may go unstopped without your interest and assistance immediately!
by Deb Huglin
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This first announcement is a call for expressions of interest in presenting a paper and/or displaying a poster at the Third International Conference on Oxalate Films associated with works of art… International Conference on “Oxalate Films on Rocks and Works of Art”.
by Alan Watchman
Toro Muerto
Meeting Rock Art Perú (June 30, July 7) 2004. Lima-PERU. Programa.
by EPAR
right: from A. Núñez Jiménez A., 986, Petroglifos del Perú. Fig. 2561
abrigo de Minerva
En este artículo se presentan nuevas representaciones de arte rupestre paleolítico que han sido halladas recientemente en Extremadura. En dos de los casos se trata de figuras que se añaden a un repertorio iconográfico ya conocido. El tercero de los hallazgos es inédito..
by Hipólito Collado Giraldo
Vallegrande paintings
The Bolivian Rock Art Research Society SIARB has now a Web site. It informs in Spanish, English and German on current activities by SIARB, publications, its Board of Directors and regional representatives. In a “gallery” a map shows the distribution of rock art sites in Bolivia.
by SIARB – Bolivia
Mazouco horse
Archaeology Gathering, Freixo de Espada à Cinta, Trás-os-Montes, Portugal, 2 – 4 April 2004. Presentation and programme.
by Mila Simões de Abreu
Quebrada Santo Domingo
It seems incredible to have to mention or hear so many times “lack of funds” when it comes to saving priceless heritage. As Ulf Bertillson, President of ICOMOS Rock Art committee has said “Such events should be prevented and can be prevented”.
by Melissa MASSAT
La Pera Cunca
Il Canavese, fin dal Medioevo, ha rivelato la presenza di numerosi massi recanti incisioni rupestri. Tale produzione di segni sulla pietra sembra essere maggiore e diversificata man mano che si sale di quota. Al contrario, scendendo verso il fondo valle, le pietre incise risultano minori per quantità e quasi esclusivamente a coppelle.
by Enrico Gallo
