Monticello dolmen
The Author describes the megalith known as Dolmen di Monticello: location, orientation, structure, geomorphology and other features found during the repeated personal observations. The Village of Monticello is located at 82 m. above sea level, along the western slopes of Gottaro. The first mention of this settlement dates back to 1268 when there was the division of inheritance between the sons of Giacomo Del Carretto, Marquis of Savona.
by Alfredo Pirondini
TRACCE open access papers
Arcà Andrea, 2001.
Chronology and interpretation of the “Praying figures” in Valcamonica rock-art. In: Archeologia e arte rupestre: l’Europa – le Alpi – la Valcamonica, secondo convegno internazionale di archeologia rupestre. Atti del Convegno di studi, 2-5 ottobre 1997, Darfo Boario terme, Milano, 2001, pp. 185-198
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Warrior or gladiator
TRACCE open access papers
Arcà Andrea, 2004.
Rock art in the western Alps: research, methods, data and discoveries. In: Actes du XIVème congrès UISPP, Université de Liège, Belgique, 2-8 septembre 2001. Section 8, Art du paléolithique supérieur et du mésolithique, C 8.4, Bilan des arts rupestres en Europe, Oxford, pp. 95-106
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Cemmo 3
TRACCE open access papers
Fossati Angelo Eugenio, 2007.
Morfologia, litotipi e funzioni delle statue stele del gruppo Valcamonica-Valtellina, Bulletin d’études préhistoriques et archéologiques alpines, XVIII, Aoste, pp. 77-84.
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Costapeta, sect. E
TRACCE open access papers
Arcà Andrea, 2007.
Le raffigurazioni topografiche, colture e culture preistoriche nella prima fase dell’arte rupestre di Paspardo, In: FOSSATI A. E. (a cura di), La Castagna della Vallecamonica. Paspardo, arte rupestre e castanicoltura, Atti del Convegno interdisciplinare, Paspardo 6-7-8 ottobre 2006, Paspardo, pp. 35-56. Bibliografia a cura di Oriana Bozzarelli.
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Borno 4
TRACCE open access papers
Fossati Angelo Eugenio, 2007.
The rock art tradition of Valcamonica-Valtellina, Northern Italy: a world heritage view, in 2007, in Nash G. et al. (ed.), Landscape enquiries, the proceedings of the Clifton Antiquarian Club, volume 8, pp. 139-155.
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Ossimo 9, Sun God
TRACCE open access papers
Fossati Angelo Eugenio, 2007.
Following Arianna’s Thread Symbolic Figures at Female Rock Art Sites at Naquane and In Valle, Valcamonica, Italy, in Nash G., Children G., 2008 (ed.), The Archaeology of Semiotics and the Social Order of Things, BAR International Series 1833, pp. 31-44.
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Roccia degli Stambecchi
Arcà Andrea, 1990.
Pietre incise e arte rupestre: un interesse rinnovato. Nuove ricerche e prospettive in Bassa Valle di Susa e Alta Moriana, Segusium, 28, pp. 163-186.
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Guadiana cow
TRACCE no. 13 – TRACCE open access papers
Arcà A., Bednarik R.G., Fossati A., Jaffe L., Simões De Abreu M. 2001.
Damned dams again: the plight of Portuguese rock art, Rock Art Research 2001, volume 18, n. 1, special report insert, pp. i-viii
