TRACCE Online Rock Art Bulletin 5 – Nov 1996

October 29, 1996 TRACCE Bulletin E-covers, TRACCE Onl. RA Bull. 5 No comments INDEX

Penascosa deer

TRACCE Online Rock Art Bulletin no. 5
29 October 1996 – cover and index only

Number 5 – 1996 November

Send texts and images for next issue!
Footsteps of Man is an IFRAO association from Valcamonica – Italy
Maintained by Footsteps of Man (Le Orme dell’Uomo) archaeological Cooperative,
piazza Donatori di Sangue 1 – 25040 CERVENO (BS) – ITALY
phone +39-364-433.983 fax +39-364-43.43.51

	The GENERAL page
Claire Smith	Australian Developments in the Dating of Rock Art
T. W. Wyrwoll	Rock Art Research – a science without a name
Grant S. McCall	Upside Down Kudu: away from Western Stereotypes
SW Organizing Project	Petroglyph National Monument in New Mexico imperiled by Road Plans

	The FIELDWORK page
Fieldwork participants	Sliding into enlightenment

	The CÔA special page
L. Oosterbeek	De Foz Côa à l’ensemble du territoire Portugais
Abreu -Arcà-Fossati-Jaffe	Côa Valley: the Discovery
Abreu -Arcà-Fossati-Jaffe	Côa Valley: from the Dam to the Park
Abreu -Arcà-Fossati-Jaffe	The Vermelhosa site and the “Etched in time” project
A. Fossati	The Iron Age in the Rock Art of Vermelhosa, Portugal
A. Arcà	Palaeolithic figures in the rock n. 1 of Vermelhosa
J. A. Bravo Nunez	The geology of the Douro and Côa Valley
B. Campos	Do it nice or give you the truth?
C.V.R.A.	Côwa Valley joke…

	The ARCHAEOMETRY page
G. Chiari, R. Compagnoni, R. Giustetto	Use of non destructive X-Ray Diffraction Analyses

	The CHILDREN page
IIIE classroom children	The village named Camuna has a party on the moon

	FEATURES
Editor	Reviews and Newsletters \| Archaeo-links \| News and appointments
Editor	We call for texts (next issue: 1997 January)!

call any email information to Andrea Arcà – Coop. Archeologica Le Orme dell’Uomo
Or write or fax or phone: Angelo Fossati – Coop. Archeologica Le Orme dell’Uomo
piazzale Donatori di Sangue 1- 25040 CERVENO (Bs), Italy
tel. 39-364-433983 – fax 39-364-434351

English editing by Maurice Zanon

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