Archive for Tracing

Balma dei Cervi, at the roots of our prehistory

Il territorio di Crodo ospita una delle più importanti pareti con pitture rupestri preistoriche di tutto l’arco alpino. Oltre 100 figure dipinte, di cui trenta umane maschili e femminili, schematiche, a braccia in su e in giù, quasi tutte prive di testa, forse anche con scene di parto. Numerosi gli allineamenti di pallini, spesso abbinati ai personaggi umani. One of the most important rock shelters with prehistoric paintings in the whole of the Alpine Arc is found in the territory of Crodo. Over 100 painted images have been recorded, including 30 schematic male and female human figures, some with upraised arms others facing downwards, almost all of which are without a head, including some possible representations of birth scenes..

by Andrea ARCÀ, Angelo Eugenio FOSSATI Read more

Valcamonica, fieldwork 2016

roseduel150Tracing prehistory: from July 21 to August 11 2016 the annual archaeology field school at Paspardo will be open to archaeologists, scholars, students and enthusiasts. This area gives a great opportunity to learn, survey, photograph, draw and catalogue the rock engravings. The program involves field research, documentation, tracing, guided visits and lectures. Fieldwork is organised by Footsteps of Man, Valcamonica. Infos, poster and photo-galleries here available.

by Angelo Eugenio Fossati

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Rock Art in Jebel Akhdar, Oman

Bilad Sayt

Bilad Sayt

The petroglyphs and pictographs of Oman are little known, but for the last five years I have been involved in a series of surveys of the Jebel Akhdar Mountains that have resulted in the location of several important sites. Recording these in advance of construction projects undertaken to modernize the country’s transportation network has enabled me to study the rock art in considerable detail for the first time. Using superimpositions, cross-dating with known artistic expressions elsewhere in the region, and the known dates for introduction of various objects of material culture, I propose a preliminary chronology consisting of four major phases spanning the last 6,000 years.

by Angelo Eugenio Fossati
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Great Rock of Naquane, digital practices

Naquane vector

Naquane vector

[CAA 2015 – session 3C abstract]

Like archaeology in general, rock art studies need to record, study and share data: a large set of electronic instruments – for graphics and for the data analysis – are to be intended as a fundamental tool box for the careful and up-to-date rock art archaeologist…

by Andrea ARCÀ




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