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Palamenco and the Shooting Male

Palamenco is a petroglyph site in the coastal area of Northern Peru. It has some special images, including an image of what I interpreted as a “shooting male”. This petroglyph is unique for Palamenco and possibly for Latin America as well. It is compared with more or less similar examples around the world.

By Maarten van Hoek

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Valcamonica Rock Art Fieldwork 2021

The Footsteps of Man Archaeological Cooperative Society is based in Valcamonica, an Alpine valley in Northern Italy, where rock art constitutes an archaeological, artistic, ethnographic and historical patrimony of inestimable value (UNESCO World Heritage List). In collaboration with the Catholic University of Brescia, Footsteps of Man organizes its annual Valcamonica Rock Art & Archaeology Field School in Paspardo, one of the principal area where engravings are concentrated. The project participants will learn how
to survey, clean, photograph, draw and catalogue the rock engravings at sites around Paspardo. During the field season, visits to the major rock art parks and museums in Valcamonica will be organized.

by Angelo Eugenio Fossati

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Valcamonica Symposium 2021

The CCSP-Centro Camuno di Studi Preistorici is organising the Valcamonica Symposium from 28 to 31 October 2021 at the Auditorium Cittadella Cultura, Capo di Ponte – Valcamonica (Italy). Deadline for submitting proposals of papers and posters is April 6, 2021. The VCS will take place in person or online through an IT platform.
Il Centro Camuno di Studi Preistorici organizza il Valcamonica Symposium dal 28 al 31 October 2021 presso l’Auditorium Cittadella Cultura, a Capo di Ponte (BS). Il termine per la presentazione di proposte di contributi e posters è fissato al 6 aprile 2021. Il Symposium si terrà in presenza o via web.

by CCSP Read more

The Enigma of the “Feathered Homunculus”, Peru

Rock art images often include unexpected and enigmatic elements. This study investigates the petroglyphs of especially anthropomorphic figures in the Majes Valley of southern Peru that have an unanticipated feather-element; a long groove (sometimes slightly curved) with a row of parallel but shorter grooves attached to one side only. This study will describe the petroglyphs of the several types of biomorphs featuring a feather-element, focussing however on the “Feathered Homunculus”, as well as their surprisingly limited distribution.

By Maarten van Hoek

Read more

Cervidi in Valcamonica e nelle Alpi

Cervids Valcamonica

Cervidi in Valcamonica e nelle Alpi, diversi approcci per una storia millenaria

giornata di studi giovedì 28 gennaio 2021 dalle ore 10

YouTube Footsteps of Man/Le Orme dell’Uomo https://bit.ly/3nLuV1M

Cervids in Valcamonica and in the Alps, different approaches to a millenary history

conference day Thursday 28 January 2021 from 10 am

YouTube Footsteps of Man-Le Orme dell’Uomo https://bit.ly/3nLuV1M

di Cer.Val Read more

L’Antece degli Alburni, condottiero o divinità?

L’Antéce

A 1125 m di quota, sulla sommità di Costa Palomba, monti Alburni e Parco Nazionale del Cilento, un non comune monumento rupestre domina un ampio panorama a 360°, che spazia dall’entroterra al mare, sino all’isola di Capri nelle giornate più limpide. Si tratta dell’Antéce, secondo alcuni “l’Antico”, un altorilievo rupestre ricavato da un lastrone naturale, un aguzzo spunzone calcareo. La figura umana, a grandezza naturale, impugna con la destra una lancia, o un’insegna, alla quale è poggiato uno scudo rotondo a profilo leggermente spiovente dotato di umbone fusiforme; nell’altra mano impugna un oggetto allungato, eroso e lacunoso, che può fare ipotizzare la presenza di una folgore o di un fascio di folgori (PDF disponibile).

di Andrea ARCÀ, Oriana BOZZARELLI Read more

Progetto Cer.Val. – Cervidi della Valcamonica

NAQ1, sett. i

Uno dei temi peculiari dell’arte rupestre della Valcamonica è senza dubbio quello dei cervi. Le due più antiche raffigurazioni di cervo risalgono alla fine del Pleistocene, mentre sono frequenti quelle presenti sulle stele dell’età del Rame, e ancora di più quelle relative all’età del Ferro. Il progetto Cer.Val., sostenuto dal Gruppo Terre Alte del CAI (Club Alpino Italiano), vuole affrontare questo percorso di ricerca, privilegiando la multidisciplinarietà, l’incontro tra specialisti di diversi campi, il rapporto con i cambiamenti climatico-ambientali, l’analisi del simbolo del cervo nel patrimonio culturale locale.

di Dario SIGARI Read more

New “Carcancha” Petroglyphs in Arequipa, Peru

This paper presents the description of two new sites in Majes, Peru, both featuring an example of a skeleton-like petroglyph that may spiritually be linked with the Sacred Mountain of Coropuna. The documentation of those two new sites thus reveals new information about the symbolic spatial organization and ritual functions of the “Death Valley of the Andes”. It is especially hypothesized here that the specific setting of those two new sites may indicate a physical “Road to Coropuna”.

 By Maarten van Hoek Read more

Filippo Gambari, archeologia e arte rupestre

Filippo Maria Gambari

Giovedì 19 novembre 2020 Filippo Maria Gambari, archeologo preistorico, direttore del Museo delle Civiltà di Roma,  ha lasciato questo mondo. Nel corso della sua vita di studioso ha approfondito vari aspetti della scienza archeologica: sono molti i luoghi e i temi della preistoria alpina (e non solo) che grazie alla sua progettualità e al suo impulso sono stati affrontati con grande attenzione. Tra questi, il tema dell’arte rupestre ha assunto un ruolo non certo di secondo piano. E’ doveroso ricordare lo studioso in queste pagine, che proprio all’arte rupestre sono dedicate.

AA-DD-AEF-PL Read more

False Information Concerning Majes Rock Art, Peru

Scientific publications should always be reliable. The content may never be incorrect or misleading. This also goes for publications regarding rock art, whether by amateurs or by academics. This short paper deals with two photographs of petroglyphs from the Majes Valley, southern Peru, and the conclusions based upon those illustrations published by two academics from the USA. Regrettably, both the photos and the conclusions are unambiguously incorrect.

By Maarten van Hoek

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Les cavaliers dans l’art rupestre. Le cas du Maroc

Foum Chenna, Maroc

Dans tous les pays du Maghreb et du Sahara, en plein air ou sous abri, on peut rencontrer une petite figure, gravée ou peinte, connue dans la littérature spécialisée ou de divulgation sous l’appellation de cavalier “libyco-berbère”. Puisque cette image est très répandue, il semble qu’elle n’ait pas de secret et que du cavalier tout soit connu : son armement, le harnais de sa monture, jusqu’à son rôle dans la société de l’époque. Rien de plus faux. Au Maroc, nous pouvons observer combien le monde des cavaliers était diversifié en visitant les deux gisements principaux : le site de Foum Chenna dans la vallée du Draa (Maroc méridional) et le plateau aux pieds du Jebel Rat, dans le Haut Atlas central, le premier abritant 2550 gravures, le deuxième 1800 dont 800 appartiennent à la phase des cavaliers (pdf disponible).
.

par Alessandra BRAVIN Read more

Valcamonica, visit the Great Rock !

NAQ1 virtual tour door

October 9, 2020: on the occasion of the European Day of Rock Art it is a real pleasure to invite enthusiasts and scholars to visit the Great Rock of Naquane in Valcamonica and to surf over it. Just find the door, open it with a click, and enter the virtual tour. The Great Rock is the most richly engraved of the Park. You can move along the wooden walkways just as if you were doing a real visit: you can closely observe the surface, discover every detail, navigate by moving like a bird’s eye, approaching and moving away at will. So, feel comfortable in your home, and start your virtual journey inside Naquane and Valcamonica rock art (PDF available).

by Andrea ARCÀ Read more

Valcamonica, visita la Grande Roccia !

NAQ1, la porta del tour virtuale

In occasione del 9 ottobre, Giornata Europea dell’Arte Rupestre, è un vero piacere invitare gli appassionati e gli studiosi di arte rupestre a visitare la Grande Roccia di Naquane e a navigare lungo la sua superficie incisa. Basta trovare la porticina, aprirla con un click ed immergersi nel tour virtuale. La Grande Roccia è la più riccamente istoriata di tutto il Parco di Naquane. Puoi muoverti lungo le passerelle di legno come se tu la stessi visitando dal vivo, osservare da vicino le scene e le figure preistoriche, scoprire ogni dettaglio, navigare tra i settori incisi muovendoti a volo d’uccello, avvicinandoti e allontanandoti a volontà. E dunque, stai comodo a casa tua e inizia il tuo viaggio a Naquane, immergendoti nell’arte rupestre della Valcamonica (PDF disponibile).

di Andrea ARCÀ Read more

Naquane, Valcamonica, the Great Rock

NAQ1 deer figure

(October 9, 2020, European Day of Rock Art). With its 104 engraved rocks, the National Rock Art Park of Naquane is the main archaeological site of Valcamonica and one of the most important European rock art sites. The best-known rock is the n. 1, called the Great Rock for its size; more than two thousand figures have been engraved over its surface: deer hunting scenes, acrobatic riders, sword duels, women with hands up, wooden barns, ducks, geese and chickens, the mysterious palettes … a virtual tour allow to discover it, to enjoy the panorama, to fly over its engraved figures looking at ultra high-res pictures, tracings and 3D models (PDF available).

by Andrea ARCÀ Read more

Naquane, Valcamonica, la Grande Roccia

NAQ1, settore P

(9 ottobre 2020, Giornata Europea dell’Arte Rupestre). Con le sue 104 rocce incise, il Parco Nazionale delle Incisioni Rupestri di Naquane costituisce il principale sito archeologico della Valcamonica e uno dei più importanti complessi europei di arte rupestre. La roccia più conosciuta è la n. 1, nota anche come Grande Roccia per le sue dimensioni; sulla sua superficie sono state incise più di 2mila figure: scene di caccia al cervo, di cavalcatura acrobatica, duelli alla spada, donne a braccia levate, granai di legno, oche, papere e galline, le misteriose palette …  un tour virtuale permette di scoprirla, di godere della vista del panorama, di sorvolare le sue figure incise osservando  riprese fotografiche, rilievi iconografici e modelli 3D ad altissima risoluzione (PDF disponibile).

di Andrea ARCÀ Read more

L’arte rupestre della Valcamonica in 20 minuti

Valcamonica 20 minutes

Il progetto L’arte rupestre della Valcamonica in 20 minuti, ideato e organizzato da Le Orme dell’Uomo (Cerveno, Valcamonica), intende presentare in modo facile e descrittivo l’arte rupestre della Valcamonica attraverso una serie di video di semplici lezioni, conferenze e attività didattiche, della durata di circa 20 minuti ciascuna, tenute online da esperti archeologi, studiosi del settore e insegnanti. I video si articolano in tre differenti settori: cronologia (lezioni e conferenze sulle varie fasi dell’arte rupestre della Valcamonica), temi e visite virtuali (quali la rosa camuna, le impronte di piede, i telai, le palette, le rocce e i siti di maggiore interesse), didattica (con una sezione dedicata).

di Angelo Eugenio FOSSATI, Marisa D. GIORGI Read more

Valcamonica rock art in 20 minutes

Valcamonica 20 minutes

The project  Valcamonica Rock Art in 20 minutes, conceived and organized by Footsteps of Man (Cerveno, Valcamonica), intends to present the rock art of Valcamonica in an easy and descriptive way through simple lessons, conferences, and didactic activities lasting about 20 minutes, each held online by expert archaeologists, scholars in the field, and teachers. The videos are divided into three different sectors: chronology (lectures-lessons on the various periods of the rock art of Valcamonica), themes, and virtual visits (such as Camunnian roses, footprints, looms, palettes, or the most important engraved rocks), education (with a special section).

by Angelo Eugenio FOSSATI, Marisa D. GIORGI Read more

Defecating Elephants in Messak Rock Art – An Anomaly?

In this paper I discuss the graphical displays of a natural bodily function that is, although – from top to bottom – normal in the natural world, very rare in rock art. It concerns images of defecating elephants, which – enigmatically – occur well above average in the Messak-Tadrart region of the Central Sahara. It will be attempted to explain this anomaly (PDF available).

By Maarten van Hoek

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Enfrentando los dibujos… ¡otra vez! (Perú)

With great interest I have watched the YouTube Video called: Charla Rupestre: Los Petroglifos de Chillihuay. Arequipa, Perú by Maritza Rodríguez Cerrón and Daniel Chumpitaz Llerena (21 August 2020), two leading Peruvian archaeologists who have intensively surveyed the important rock art site of Chillihuay in southern Peru. However, a couple of those drawings in their 2014-paper drew my attention, as they proved to be incorrect  (PDF available).

by Maarten van Hoek – rockart @home.nl Read more

The Three Rivers 3D Masks

In several cases rock art manufacturers were intrigued by natural rock features such as holes and cracks. This paper deals mainly with rock art images of masks that are folded across two rock panels creating 3D masks. In particular the Mogollon 3D masks of Three Rivers in New Mexico, USA, will be discussed. Also the puzzling anomaly regarding the distribution of Mogollon 3D masks and Rio Grande Style 3D masks will be dealt with. Finally, it will be attempted to offer an explanation for the enigmatic 3D masks (PDF available).

By Maarten van Hoek

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Valcamonica Rock Art Fieldwork 2020

The Footsteps of Man Archaeological Cooperative Society is based in Valcamonica, an Alpine valley in Northern Italy, where rock art constitutes an archaeological, artistic, ethnographic and historical patrimony of inestimable value (UNESCO World Heritage List). In collaboration with the Catholic University of Brescia, Footsteps of Man organizes its annual Valcamonica Rock Art & Archaeology Field School in Paspardo, one of the principal area where engravings are concentrated. The project participants will learn how
to survey, clean, photograph, draw and catalogue the rock engravings at sites around Paspardo. During the field season, visits to the major rock art parks and museums in Valcamonica will be organized.

by Angelo Eugenio Fossati

Read more

A ‘Unique’ Petroglyph Scene in Southern Morocco

Mating scenes involving mammals of the same species are rather rare in global rock art, but surprisingly fighting scenes are even more extraordinary. This study discusses a specific petroglyph panel in the south of Morocco where – in my opinion uniquely – a fighting and a mating scene was recorded by us in 2019. This panel is analysed and put into a wider context.

By Maarten van Hoek

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The Rock Art of El Vagón – Moche Drainage, Peru

 

Despite increasing interest in inventorying of the rock art in the northern coastal area of Peru, only very little has been published by Peruvian scholars. In fact, several scholars said to publish inventories of – for example, Palamenco in Ancash and even of whole departments such as La Libertad – but nothing happens. This interim inventory about El Vagón (La Libertad) hopes to contribute to the digital safeguarding of important rock art that runs the risk to be vandalised or even destroyed.

By Maarten van Hoek

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Cuevas con arte rupestre Paleolítico en Cantabria

Cantabria posee más de 70 cuevas con arte rupestre
paleolítico, erigiéndose como una de las regiones con mayor
concentración de conjuntos rupestres paleolíticos en Europa.
Su importancia radica en:
– la cantidad de conjuntos,
– la diversidad de técnicas, temática y estilística,
– la concentración de imágenes, antigüedad y continuidad en el tiempo,
– la calidad y excelente estado de conservación.

by Daniel GARRIDO PIMENTEL [i] Read more

The Incomplete Versus The Unfinished

Only the manufacturer of a rock art image could reliably have informed us whether a rock art image is unfinished or whether it is incomplete. Unfortunately informed knowledge is often completely unavailable. Then only the image and its graphical and cultural context are available to possibly separate the unfinished from the incomplete. Additionally, the incomplete image may even include something invisible. To address these issues I will use the rich rock art repertoire of the Desert Andes, focussing mainly on Toro Muerto and Miculla, two enormous rock art sites in the south of Peru.

By Maarten van Hoek

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Calling Cards: a New Plains Rock Art Site Type

Calling Card rock art sites, drawn by war parties in enemy territory to taunt their adversaries by illustrating deeds executed against them, are a newly identified site type on the northern Plains of North America. One such site is Cheval Bonnet, a small petroglyph in Northern Montana. Containing coup counting and horse raiding narratives from the early 1800s, analysis of these images shows that most of the petroglyphs can be identified as Crow drawings, even though they are carved in the heart of Historic Blackfeet tribal territory. Once this site was identified as a calling card petroglyph, I was able to identify three others elsewhere on the northern Plains (PDF available).

by James D. KEYSER Read more

Balma dei Cervi, at the roots of our prehistory

Il territorio di Crodo ospita una delle più importanti pareti con pitture rupestri preistoriche di tutto l’arco alpino. Oltre 100 figure dipinte, di cui trenta umane maschili e femminili, schematiche, a braccia in su e in giù, quasi tutte prive di testa, forse anche con scene di parto. Numerosi gli allineamenti di pallini, spesso abbinati ai personaggi umani. One of the most important rock shelters with prehistoric paintings in the whole of the Alpine Arc is found in the territory of Crodo. Over 100 painted images have been recorded, including 30 schematic male and female human figures, some with upraised arms others facing downwards, almost all of which are without a head, including some possible representations of birth scenes..

by Andrea ARCÀ, Angelo Eugenio FOSSATI Read more

Balma dei Cervi, archaeology and research

Le pitture della Balma dei Cervi, soggette ai danni del tempo e ai rischi di degrado antropico, costituiscono un bene culturale raro, prezioso ed estremamente delicato. Le esigenze di protezione e le notevoli difficoltà di accesso ne sconsigliano la musealizzazione in loco. Il programma di documentazione, valorizzazione e comunicazione è coordinato dalla Soprintendenza Archeologia, Belle Arti e Paesaggio.. The rock paintings of the Shelter of the Deer are rare, precious an extremely delicate cultural assets. They are endangered by the deterioration of time and by the risks of damage caused by humans. Safeguard requirements and difficulties in access discourage the creation of a Museum in the field. The documentation, valorisation and communication plan is coordinated by the Superintendence of Archaeology, Fine Arts and Landscape.

by Francesco RUBAT BOREL Read more

The Cupules of the Imaoun Complex, Southern Morocco

In the area just south of the Anti-Atlas numerous rock art sites have been recorded. However, there are remarkably few rock art panels with cupules in that area. This study describes a surprisingly high number of cupule panels in the Imaoun area, north of the town of Akka in southern Morocco, which represents a true anomaly in this respect.

By Maarten van Hoek

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Palamenco and the Shooting Male

Palamenco is a petroglyph site in the coastal area of Northern Peru. It has some special images, including an image of what I interpreted as a “shooting male”. This petroglyph is unique for Palamenco and possibly for Latin America as well. It is compared with more or less similar examples around the world.

By Maarten van Hoek

Read more

Petroglyphs and a New Geoglyph in the Sama Valley

The Sama Valley in southern Peru has only a few rock art sites. This article describes one of those sites, which is located at Coropuro on the south bank of the river. It has a interesting collection of petroglyphs, some of which might be linked to a previously unnoticed geoglyph nearby.

By Maarten van Hoek

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Valcamonica Rock Art Fieldwork 2021

The Footsteps of Man Archaeological Cooperative Society is based in Valcamonica, an Alpine valley in Northern Italy, where rock art constitutes an archaeological, artistic, ethnographic and historical patrimony of inestimable value (UNESCO World Heritage List). In collaboration with the Catholic University of Brescia, Footsteps of Man organizes its annual Valcamonica Rock Art & Archaeology Field School in Paspardo, one of the principal area where engravings are concentrated. The project participants will learn how
to survey, clean, photograph, draw and catalogue the rock engravings at sites around Paspardo. During the field season, visits to the major rock art parks and museums in Valcamonica will be organized.

by Angelo Eugenio Fossati

Read more

The Cíceras “Carcancha-Bird” Petroglyphs – Majes, Peru

The Majes drainage in southern Peru boasts the largest collection of rock art in the Andes, especially because of the abundance of petroglyphs at the Toro Muerto and Alto de Pitis. Importantly, both sites have numerous bird petroglyphs of different types. Yet there are other sites in the Majes drainage that also have idiosyncratic bird imagery. One of those sites is Cíceras, which is the subject of this study. I focus on a specific type of bird petroglyphs, for which I tentatively suggest that they have a special transcendent proficiency.

By Maarten van Hoek Read more

War and Weapons in Majes Style Rock Art?

This study investigates the possibility whether rock art images in the Majes Valley of southern Peru indeed depict weapons or conflicts between humans. The bio-archaeological excavations and research at Uraca (Majes Valley) by Beth Scaffidi and Tiffiny Tung  suggest that the rock art of especially neighbouring Toro Muerto conveys a preoccupation with violence (Scaffidi and Tung 2020). However, the current study demonstrates that there is not any proof or any convincing graphical context confirming “violent events in nearby petroglyphs”.

By Maarten van Hoek

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New Pictographs at Guatin – Northern Chile

In 2013 Mario Giorgetta, an academic botanist from Switzerland, discovered for the first time a small rock panel with a collection of clearly associated pictographs on a rock cliff in the gorge of the Río Vilama. Mario reported the site to me in 2019 and we agreed to publish a paper describing the panel and its context. This paper comprises two parts. The first part is written by Maarten van Hoek and briefly attempts at interpreting the elements that make up the pictograph scene and the second part is independently written by the discoverer of the pictograph panel at Guatin, Mario Giorgetta.

by Maarten van Hoek and Mario Giorgetta
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Contextualising the Geoglyph of Huacán, southern Peru

Arequipa in southern Peru is very rich in rock art. This study investigates the relationship between the Majes Rock Art Style and the geoglyphs (not a form of rock art, though) in the area. It proves that several geoglyphs are directly related with the petroglyphs of Toro Muerto and also that they are located on ancient routes to and from the Majes Valley. Arequipa en el sur de Perú es muy rico en arte rupestre. Este estudio investiga la relación entre el Estilo del Arte Rupestre de Majes y los geoglifos (no una forma de arte rupestre) en el área. Demuestra que varios geoglifos están directamente relacionados con los petroglifos de Toro Muerto y también que están ubicados en las rutas antiguas desde y hacia el Valle de Majes.

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Valcamonica Symposium 2021

The CCSP-Centro Camuno di Studi Preistorici is organising the Valcamonica Symposium from 28 to 31 October 2021 at the Auditorium Cittadella Cultura, Capo di Ponte – Valcamonica (Italy). Deadline for submitting proposals of papers and posters is April 6, 2021. The VCS will take place in person or online through an IT platform.
Il Centro Camuno di Studi Preistorici organizza il Valcamonica Symposium dal 28 al 31 October 2021 presso l’Auditorium Cittadella Cultura, a Capo di Ponte (BS). Il termine per la presentazione di proposte di contributi e posters è fissato al 6 aprile 2021. Il Symposium si terrà in presenza o via web.

by CCSP Read more

Serrated Edges in Rock Art

Certain rock art images prove to occur at numerous places in the world, like cupules and zigzags. In most cases this is a matter of parallel invention. However, a number of motifs may have travelled across the globe for short or even enormous distances. This study investigates the distribution of one of the enigmatic rock art features, the serrated edge and explores the possibility that this practice diffused from North America to South America (or vice versa).

By Maarten van Hoek

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The Enigma of the “Feathered Homunculus”, Peru

Rock art images often include unexpected and enigmatic elements. This study investigates the petroglyphs of especially anthropomorphic figures in the Majes Valley of southern Peru that have an unanticipated feather-element; a long groove (sometimes slightly curved) with a row of parallel but shorter grooves attached to one side only. This study will describe the petroglyphs of the several types of biomorphs featuring a feather-element, focussing however on the “Feathered Homunculus”, as well as their surprisingly limited distribution.

By Maarten van Hoek

Read more

Cervidi in Valcamonica e nelle Alpi

Cervids Valcamonica

Cervidi in Valcamonica e nelle Alpi, diversi approcci per una storia millenaria

giornata di studi giovedì 28 gennaio 2021 dalle ore 10

YouTube Footsteps of Man/Le Orme dell’Uomo https://bit.ly/3nLuV1M

Cervids in Valcamonica and in the Alps, different approaches to a millenary history

conference day Thursday 28 January 2021 from 10 am

YouTube Footsteps of Man-Le Orme dell’Uomo https://bit.ly/3nLuV1M

di Cer.Val Read more

Feline Petroglyphs in the Majes Valley, Peru

The Majes Valley of southern Peru is well-known for its enormous collection of petroglyphs. A significant diversity of animal species has been depicted on the relatively soft volcanic rocks of those sites. Images of felines are relatively scarce in the Majes Valley, yet they are unexpectedly numerous in absolute terms in the Central Majes Valley. In this study the image of the Majes feline and its graphical anomalies will be discussed, as well as the unexpected distribution pattern of feline imagery in the Majes Valley.

By Maarten van Hoek

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Wishes from Naquane Great Rock

Merry Christmas from Naquane Great Rock, Valcamonica

Merry Christmas from Naquane Great Rock – Valcamonica
www.europreart.net/NAQ1

by TRACCE – Online Rock Art Bulletin Read more

L’Antece degli Alburni, condottiero o divinità?

L’Antéce

A 1125 m di quota, sulla sommità di Costa Palomba, monti Alburni e Parco Nazionale del Cilento, un non comune monumento rupestre domina un ampio panorama a 360°, che spazia dall’entroterra al mare, sino all’isola di Capri nelle giornate più limpide. Si tratta dell’Antéce, secondo alcuni “l’Antico”, un altorilievo rupestre ricavato da un lastrone naturale, un aguzzo spunzone calcareo. La figura umana, a grandezza naturale, impugna con la destra una lancia, o un’insegna, alla quale è poggiato uno scudo rotondo a profilo leggermente spiovente dotato di umbone fusiforme; nell’altra mano impugna un oggetto allungato, eroso e lacunoso, che può fare ipotizzare la presenza di una folgore o di un fascio di folgori (PDF disponibile).

di Andrea ARCÀ, Oriana BOZZARELLI Read more

Progetto Cer.Val. – Cervidi della Valcamonica

NAQ1, sett. i

Uno dei temi peculiari dell’arte rupestre della Valcamonica è senza dubbio quello dei cervi. Le due più antiche raffigurazioni di cervo risalgono alla fine del Pleistocene, mentre sono frequenti quelle presenti sulle stele dell’età del Rame, e ancora di più quelle relative all’età del Ferro. Il progetto Cer.Val., sostenuto dal Gruppo Terre Alte del CAI (Club Alpino Italiano), vuole affrontare questo percorso di ricerca, privilegiando la multidisciplinarietà, l’incontro tra specialisti di diversi campi, il rapporto con i cambiamenti climatico-ambientali, l’analisi del simbolo del cervo nel patrimonio culturale locale.

di Dario SIGARI Read more

New “Carcancha” Petroglyphs in Arequipa, Peru

This paper presents the description of two new sites in Majes, Peru, both featuring an example of a skeleton-like petroglyph that may spiritually be linked with the Sacred Mountain of Coropuna. The documentation of those two new sites thus reveals new information about the symbolic spatial organization and ritual functions of the “Death Valley of the Andes”. It is especially hypothesized here that the specific setting of those two new sites may indicate a physical “Road to Coropuna”.

 By Maarten van Hoek Read more

Filippo Gambari, archeologia e arte rupestre

Filippo Maria Gambari

Giovedì 19 novembre 2020 Filippo Maria Gambari, archeologo preistorico, direttore del Museo delle Civiltà di Roma,  ha lasciato questo mondo. Nel corso della sua vita di studioso ha approfondito vari aspetti della scienza archeologica: sono molti i luoghi e i temi della preistoria alpina (e non solo) che grazie alla sua progettualità e al suo impulso sono stati affrontati con grande attenzione. Tra questi, il tema dell’arte rupestre ha assunto un ruolo non certo di secondo piano. E’ doveroso ricordare lo studioso in queste pagine, che proprio all’arte rupestre sono dedicate.

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False Information Concerning Majes Rock Art, Peru

Scientific publications should always be reliable. The content may never be incorrect or misleading. This also goes for publications regarding rock art, whether by amateurs or by academics. This short paper deals with two photographs of petroglyphs from the Majes Valley, southern Peru, and the conclusions based upon those illustrations published by two academics from the USA. Regrettably, both the photos and the conclusions are unambiguously incorrect.

By Maarten van Hoek

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