Sabato 20 maggio 2017 alle ore 15 presso il parco Nazionale delle Incisioni Rupestri di Naquane a Capo di Ponte (BS) Navigando sulla grande Roccia, presentazione del tour virtuale della Roccia 1 del Parco di Naquane; dalle 20 alle 23 apertura straordinaria del parco con visita notturna delle rocce incise
by TRACCE editor
Ròch dij Gieugh
[Usseglio: culti in ambiente alpino, archeologia e arte rupestre]. A new exhibition room dedicated to the cults of the Alps has recently enriched the Civic Alpine Museum Arnaldo Tazzetti of Usseglio. A part of the room is devoted to the monumental Ròch dij Gieugh, an engraved stone situated on the slopes of the Usseglio mountains. The interest in this rock is given by the great number of shoeprints connected to a complex network of cup-marks and grooves. New important discoveries emerged during the recent tracing: three figures of Iron Age warriors and a possible votive inscription to Juppiter, the first found in the Alps on a cup-marked rock [ENG-ITA].
by Andrea ARCÀ and Angelo Eugenio FOSSATI Read more
Seradina R12 deer
Covering more than 200 square metres, Rock 12 is the largest engraved rock of the Seradina area; it is included in the Seradina-Bedolina Archaeological Municipal Park. Its beautiful and richly engraved surface has been known since the first discovery of the greatest part of the Valcamonica rock art (1932). In the 1980s the rock was traced and studied under the direction of Mila Simões de Abreu, during which time the tracing was completed. Seradina 12 hosts some very rare iconographic items; among them, we can notice six Iron Age horse-driven ploughing scenes. Two of them are accompanied by sexual scenes, the action meaningfully performed while the ground is being hoed.
by M.Simões de ABREU and A.E. FOSSATI
Footprints in the Alpine rock art: diffusion, chronology and interpretation. Abstract and slides of the communication presented on Tuesday 1 September 2015 at the IFRAO 2015 – XIX International Rock Art Conference (Cáceres, Spain). The communication provides a detailed description of the most important cases of alpine rocks bearing footprints, a chronological frame for the corresponding engraving phases, and a discussion about suggested interpretations.
Le impronte di piede nell’arte rupestre Alpina: diffusione, cronologia e interpretazione (abstract in Italiano)
by Andrea Arcà